ApexNomad

It’s certainly possible, sure. But even if that were the case, it doesn’t change the fact that he committed to plans, knowing the schedule in advance, and then backed out at the last minute. With a regular client no less. Regardless of the reason, professionalism matters. If he had a change of heart, he should have communicated that well in advance.

You’re going back 50 years with that movie. My guess is that wherever they shot that scene, it probably doesn’t look the same now.

I wish I would have seen that production. Zeffirell’s production remains one of the most visually spectacular and enduring productions I’ve ever seen.

What didn’t you like about the resort?

I haven’t seen this movie, but it almost looks like Asser Levy Rec Center.

@Whitman thank you for these finds. 😘

I’m shocked you walked out of Sunset Blvd. The only musical I ever walked out of was the revival of The Threepenny Opera.

Maybe that’s the difference. I’m not hiring men so young or inexperienced that the concept of an overnight and what to charge is so foreign to them. Even if a provider is unsure, the simplest and most professional approach would have been to throw out a number and work with the client right there. This wasn’t a one-time inquiry from a stranger—it was a regular client expressing interest in spending more time and more money. That alone should have signaled to the provider that this was an opportunity to build on an existing relationship, not a situation to leave open-ended. Clients aren’t going to wait indefinitely while a provider figures out their business model. A confident, prepared professional—regardless of experience—knows how to have that conversation in the moment. Hesitation or deflection sends a message, and in this case, it told the client that the provider wasn’t ready to handle a straightforward request. That says a lot.

Could very well be. Or they simply don’t know the area too well and would prefer not to travel outside from where they are staying.

From a business standpoint, if you’re offering your time professionally, you should at least have an idea of what your services are worth—whether it’s an hour or a whole night. The provider essentially let a regular client walk away without an answer—someone willing to book more time and spend more money. That’s not how you run a business. It’s one thing to need a moment to consider pricing, but to leave it so open-ended that the client has to literally ask strangers online what’s appropriate? That’s just bad business. If you’re offering a service, you should know your rates or at least have a professional way to handle the conversation. Otherwise, you’re making it harder for clients to book you—and easier for them to move on to someone else.

He’s quite handsome in his photos, but I’d be more concerned that he lists his last test as 04/04/23. 2023!!! Does he know we’re in 2025? I don’t rely on a provider’s stated health status—you never know—but if you’re going to advertise it, at least keep it current. Looks sloppy.

It really depends on the person. Some tops swear by ultra-thin condoms, ribbed ones, or even a drop of lube inside for extra sensation. Others may not. But at the end of the day, technique, chemistry, and how into it both people are can make all the difference.

You’ve already booked this guy for one- and two-hour appointments. You have a rapport, so it shouldn’t come as a shock to the provider that the next step would be to ask about longer time together. The fact that he laughed and didn’t provide rates is just odd to me. Any provider offering his time professionally should have an idea of what he charges, especially for a client he’s seen before. Bottom line: Don’t go into business not knowing your worth. He’s essentially telling you, “I have to think about it, I’ll get back to you.” When? How long should I wait for you to decide how to run your business? There may not be a next time. I’ll find someone else. Know your worth. Know what you’re offering. Be prepared. It shows you’re serious.

This is already a bad sign.

I watched this last night and didn’t care for it, which is a shame because it was produced by Christine Vachon, whose past projects I’ve long admired and enjoyed. The first half is compelling, drawing me into Edward’s struggles and the societal challenges he faces. But as the film progresses, it veers into an odd mix of dark comedy and surrealism that feels disjointed rather than purposeful. The tonal shift is so abrupt that it undercuts the emotional investment built in the beginning, leaving me more puzzled than engaged. By the end, I found myself questioning not just the film’s intent but whether it even knew what it wanted to be.