ApexNomad

It’s always a shame when a show has to close. At least Smash made it past the Tonys. Can’t say the same for Redwood which announced its early closing after the nominations.

If you can sit through Threepenny Opera, you can sit through Sunset Blvd. 😘 I almost walked out of Thou Shalt Not—starring Harry Connick Jr., with music by Harry Connick Jr., co-starring Debra Monk. The only reason I stayed after intermission was because Monk’s character becomes paralyzed in the face and has to communicate using a chalkboard around her neck. I was holding out hope for an 11 o’clock number featuring Monk and the chalkboard—but alas, it never came.

You can bleach it, buff it, bedazzle it—still an asshole, boys.

“I couldn’t help but wonder… can a show lose its zip code without changing its address?”

I’m getting that way about the original characters too.

Honestly, even the editor’s probably like, ‘Yeah, go ahead.”

I actually thought Audra’s performance at the Tonys felt a bit off. It was a very different experience seeing her live in the full production. For what it’s worth, I’ve always felt that Rose’s Turn, taken on its own, doesn’t land with the same impact—you really need to see how the character gets there for it to feel earned. I get why the producers always showcase it. The Sunset ballads, on the other hand, stand on their own and could easily be played on the radio. With Sondheim, I almost always need the context. His songs tend to come alive when you understand the journey that leads to them.

This comment is dripping with condescension masked as backhanded praise. It’s not a genuine compliment, but passive-aggressive snark aimed at Cole’s gender expression, success, and perceived politics.

Disclaimer: I don’t know you. Never met you. So go with what works best for YOU! You know yourself best. That out of the way, based on what you’ve shared, I will put in bold a mock ad for you, followed by my thoughts. Use/do what you think is best. Good luck! (PS, follow Jamie’s advice or reach out to other professionals in this space - again, he actually does this. I speak only as a prospective client and what I would like to see, emphasis on I. Everyone is different so handle yourself and your business/side hustle accordingly.) Relax. Connect. Surrender. I’m not a licensed therapist—I’m an intuitive, sensual masseur offering erotic, connection-driven experiences tailored to your energy and needs. My style blends tantric touch, body-to-body nuru, and slow, attentive intimacy. A full-body journey designed to awaken, arouse, and deeply relax. Clients often tell me I have a natural gift. I’ve been praised by pros and regulars alike for knowing exactly where to go, how to touch, and when to slow down. I don’t follow a script—I follow your body. This is my pleasure too. Whether you’re looking to melt into the moment, explore erotic connection, or simply feel wanted and worshipped for an hour or two… I’m your guy. Discreet, respectful, and professional. First off, for me, this ad establishes a clear vibe and sets expectations. From the opening line, the tone is sensual, intentional, and confident. It tells me right away this isn’t going to be a clinical massage—and that automatically filters out the guys looking for shiatsu or sports therapy. You’re setting the stage for the kind of experience you want to give, and the kind of client you want to attract. Second, it’s about the client, not just you. Your original post focused on how turned on you get, which might be true, but it doesn’t tell a potential client what they’re getting in return. This version flips that: it’s about their body, their relaxation, their journey. That shift in focus makes it more appealing. It reads like an invitation—not a diary entry. Also, it builds credibility without overexplaining. Just saying “clients tell me I have a natural gift” or that pros have praised you gives the right amount of social proof without sounding like you’re trying too hard. You’re not pretending to be or advertising as a licensed therapist—you say so right out of the gate. You’re leaning into intuition, connection, and erotic energy. And most importantly: it promises pleasure, presence, and connection. That’s what many people who engage with you are coming to you for. It’s erotic but tasteful. Confident but not cocky. Personal but still professional.

I’ll speak strictly as a client—so I defer to the professionals who actually do this for a living, but I’ll say this: If you’re offering a service, especially one where people are paying you for your time, body, and energy, then you need to communicate why someone should choose you. Right now, this reads more like a fantasy than a business. You mention being turned on by the idea of getting paid, but from a client’s perspective, that doesn’t tell me what I’m getting in return. What makes you good at this? What’s your style, your vibe, your niche? Is it sensual, therapeutic, deep-tissue, connection-based? Are you intuitive, strong-handed, good with nervous clients? Etc. This might be a side hustle for you, but to a client spending real money, it’s not a side experience. So if you’re serious, advertise with intention. Let us know what makes you worth booking—beyond the fact that you enjoy it.

Good luck!!

When you’re not paying.

At any point did he offer to reschedule for another date and time?

They’ll be performing Waiting for Godot. Although, if it were a Bill and Ted play, I’d see that sooner than I would Godot.

Eye contact is everything to me!! It’s connection. It’s control. It’s presence. It’s chemistry. I’ve had partners who kept their eyes locked on mine the entire time—especially in missionary. I swear it made everything more intense. Raw. Animal. One guy used to cup my face and pull it back toward his if I turned away just to breathe—he needed to see me he said. It wasn’t just hot, it made me feel completely wanted. And his!

George Clooney played a role. Cole Escola summoned a batshit Victorian demon in a wig and made her belt. Broadway said: Lunch!

I thought the Tonys were strong this year. Maybe Happy Ending taking Best Musical and Purpose winning Best Play felt right. No major surprises — all the predicted winners were well deserved. Cynthia Erivo did a great job as host. Bring her back next year! My only wish? Let the winners speak longer. Those moments matter. https://playbill.com/article/tony-awards-2025-live-updating

IMAX = loud

Maybe the Paris or the Angelika to support the theater-going experience, instead of IMAX at Lincoln Center?

Every single provider I’ve ever been with has had a bigger dick than me. I can’t control that any more than I can control my height or my eye color. But what I can control is how I show up—and I’ve learned that comparisons, especially with hot stripper pics, just set the wrong tone. Even if you’re only pointing out one detail, people usually assume you’re saying, “This is what I look like,” and that never ends well. Just be you. That’s more than enough.

Holy shit! Who is this guy?

You’re seeing mission impossible on the big screen - in IMAX no less! I would expect it to be ear shattering. Maybe this should have been an at-home viewing experience?

I think what shows like Bewitched remind us is that identity isn’t always the lens through which we first connect with something. Sometimes we just like what we like—whether it’s a magical housewife, a talking car, or a gang of meddling kids with a Great Dane. That connection can come from humor, warmth, escapism, or even just the rhythm of a show that made us feel safe or seen—even before we understood why. Orientation might shape how we look back, but not always what drew us in. And honestly, that’s kind of beautiful.