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sydneyboy

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Posts posted by sydneyboy

  1. This is slightly off topic but Jose Carreras and Placido Domingo are doing a national tour of Australia as a duo in the next few months. I will not be honouring them with my presence. I sincerely hope Mr Anduaga doesn’t follow in the footsteps of Carreras in embarking on a totally inappropriate repertoire.

  2. 10 minutes ago, TruHart1 said:

    Krause was impeccable at keeping his voice in shape and was very selective about which roles he kept in his repertoire, so he was able to sustain a very long career. I can hear the possibility of a more spinto, fuller sound in Anduaga’s future if he cultivates his instrument as it matures - more like a Pavarotti, or Domingo in his tenor prime.

    TruHart1 😎

    Krause was singing his signature roles like Werther at 70 with the freshness of a 40 year old from reviews I’ve read. He was a tall slim handsome man and at 70  still dramatically plausible. Rumour has it he was La Stupenda’s favourite tenor partner.

  3. 1 hour ago, TruHart1 said:

    With a young tenor such as Mr. Anduaga, in his late twenties, he may indeed have a long, successful career, and not be a “flash in the pan,” but any singer that young must always be careful to never push their voice beyond its natural capabilities. Right now he is singing roles in the bel canto repertoire, such as Arturo in Bellini’s Puritani, Nemorino in Donizetti’s L’Elisir and the Duke in Verdi’s Rigoletto.

    Most singers with the longest-lasting operatic careers also usually have a regular voice coach who acts as a technical adviser, telling the singer if there are any vocal weaknesses which might become problematic or bad vocal habits which require correction before they hurt the singer’s technique. If he’s careful, he may even become the next Placido Domingo, still singing well into his early 80’s (he turns 83 on January 21!!!)

    TruHart1 😎

    He should take Alfredo Kraus as his role model.

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  5. On 12/12/2023 at 1:37 PM, SirBillybob said:

    Will do. Have you been to the hotel’s other eatery, I think across the river, perhaps ferried by the facility to the spa location? I think dinner only. Appears more Asian-themed cuisine. 

    https://www.mandarinoriental.com/en/bangkok/chao-phraya-river/dine/baan-phraya

    They have a number if restaurants. Apart from Le Normandie I have been to China House obviously a Chinese restaurant in a house at the foot of the drive leading to the main building. Quite a good Chinese. 

  6. 12 hours ago, sutherland said:

     

    In a word yes. JDF is drifting beyond the bel canto repertoire into for example some Verdi roles but I doubt he would ever sing Calaf in a full performance. However that one aria in a recital he coped very well.

  7. Last night I attended the JDF recital at the Sydney Opera House. The 2700 seat hall was packed to capacity. When he walked onto the stage the roar from the audience was almost deafening. A large contingent of local Peruvians waved the flag of Peru and called out words of encouragement in Spanish. I should add this was an evening in which usual concert decorum went out the window.

    The main body of the recital consisted of well known arias by Bellini, Donizetti, Rossini, Verdi, Puccini and Gounod. He was magnificent. A showman to his fingertips. 
     

    As Marc from Cali reported for his encore he came onstage with his guitar and sang a number of Peruvian songs to the delight of the Peruvians in the audience and at times asked them to join in. 
     

    I thought this was going to be the end but how wrong I was. He returned with the pianist and sang 6 encores including Ah mes amis from Daughter of the Regiment (with its 8 high C’s), La Donna Mobile, Nesun Dorma and Granada. After each number the audience reacted with increasing levels of delirium.

    It would be the understatement of the century to say that this was a recital like no other.
     

     

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