Moondance

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75 76 http://toprealmen.com/wp-content/uploads/2012/12/photo-Bodybuilder-Gay-Hairy-Mask-Muscle-Porn-Titanmen-890569353.jpg 77 http://y2.pichunter.com/3147479_4_o.jpg 78 79 http://www.drakesboutique.com/media/catalog/product/cache/1/image/9df78eab33525d08d6e5fb8d27136e95/v/o/voodoo.jpg 80

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Reading this, and made emotionally vulnerable by a Friday evening manhattan (oh, okay, two ... do you capitalize it if it's a cocktail?), I am sorry for the friend you've lost, @Funguy ... and thinking about all my gone boys and girls, some of them buried in the yard (with little monuments). They are family, and will be forever, as well-loved as the human family (and better than some).

Alan Bates (1934-2003) ... here, at age 30 (1964) with Anthony Quinn in Zorba the Greek http://i.cdn.turner.com/v5cache/TCM/Images/Dynamic/i256/zorbathegreek1964.96681_102820131254.jpg Oliver Reed (1938-1999) ... here, at age 23 (1961) Alan Bates at 35 and Oliver Reed at 31 in Women in Love (1969) http://2.bp.blogspot.com/-XZcd02u4pTg/UwIpr1pltXI/AAAAAAACNl8/7yytuJ5he9A/s1600/alan+bates+oliver+reed+naked.jpg http://ilarge.lisimg.com/image/9890454/845full-women-in-love-screenshot.jpg

Saul Leiter http://www.leitercatalog.com/images/portraits/saul_2007_dsc_0411.jpg Using his Lumix, 2007 Self-portrait, 1948 Born in Pittsburgh, the son of a well-known Talmud scholar, Saul Leiter (1923-2013) originally studied to become a rabbi. At 23, he left theology school and moved to New York to become an artist. Edward Steichen included some of Leiter's early black-and-white photographs in the exhibition Always the Young Stranger at the Museum of Modern Art in 1953. His work from the 1940s and 1950s was an important contribution to what became known as the New York School of photography, and was prominently featured in Jane Livingston's 1992 book, The New York School. Leiter also worked for many years as a fashion photographer. "Leiter’s sensibility . . . placed him outside the visceral confrontations with urban anxiety associated with photographers such as Robert Frank or William Klein. Instead, for him the camera provided an alternate way of seeing, of framing events and interpreting reality. He sought out moments of quiet humanity in the Manhattan maelstrom, forging a unique urban pastoral from the most unlikely of circumstances." -- Martin Harrison, editor and author of Saul Leiter Early Color (2006) Images by Saul Leiter ... http://1.bp.blogspot.com/-rZ1hZC4h3Z0/VB8e3AF0m_I/AAAAAAAAUII/EW-h6oPS3ME/s1600/PF116799.jpg ca. 1950 Untitled (Two Men in Hats on a Train at Night), 1950 Angelo, New York City, ca. 1952 Haircut, New York City, 1956 Walk with Soames, New York City, 1958 Mr., New York City, 1958