Evita

[+ ApexNomad]

I saw Evita twice while in London—and I’d go again tomorrow if I could. Rachel Zegler was astounding in the role. A truly mesmerizing performance—vulnerable, commanding, and vocally electrifying. 

Jamie Lloyd’s signature aesthetic and direction was bold! Stark, stripped-down, and hyper-stylized—he really created a piece that pulses. He also has an uncanny knack for showcasing men in black boxers in his recent productions (a signature touch I fully support). 

The ensemble was razor-sharp, the choreography felt like controlled chaos in the best way, and the staging made it feel less like a musical and more like a political fever dream.

This was Evita like I’ve never seen it—reimagined, reawakened, unforgettable.

[jeezifonly]

As an ALW score, I rank Evita with Superstar, and Phantom - shows with strong composition (original or…not) that can stand up to any theatrical reinvention provided the 2 leads can sing. 
Sunset Blvd and Cats not so much. I’m impressed with the clips I’ve seen - good for Rachel!