Moondance

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Jeanloup Sieff http://www.voicesofeastanglia.com/wp-content/uploads/2013/11/Jeanloup-Sieff-self-468x700.jpg http://3.bp.blogspot.com/-V05QJd7KLDA/Tior_oZqMiI/AAAAAAAAHzU/cuWV0Q_3LLw/s1600/11-1.jpeg Born in Paris to parents of Polish origin, Jeanloup Sieff (1933 -2000) was a French fashion photographer. His interest in photography began when he received a Photax plastic camera for his fourteenth birthday. Images by Jeanloup Sieff ... http://4.bp.blogspot.com/_KGFlCbGpIKc/TNlbdas7b3I/AAAAAAAAAcI/H_kMHeLf1iA/s1600/jeanloup_sieff3.jpg http://www.photogriffon.com/les-maitres-de-la-photographie/Jeanloup-SIEFF/38-louis-armstrong-1955-jeanloup-sieff.jpg Louis Armstrong, 1955 http://68.media.tumblr.com/638e69c9229b05ed55006f876030453c/tumblr_mioq01iz1W1rs1gaeo1_540.jpg Yves Saint Laurent, 1962 http://c300221.r21.cf1.rackcdn.com/jeanloup-sieff-1355061532_b.jpg http://2.bp.blogspot.com/-5podXUiqoFE/Tior-X712SI/AAAAAAAAHzI/KSz0PjrrCfI/s1600/4064large.jpeg

Just Google his name, @MscleLovr -- Winsor (no "d") -- and you'll find many pictures of Calum with his clothes on. Or off ... http://68.media.tumblr.com/a77138d8c3c0ed5e941a2df72bcb7a68/tumblr_oju6i29hPE1tnr6bno1_1280.png

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Mariano Vivanco http://www.marianovivanco.com/wp-content/uploads/2014/06/MV-Portrait-1.jpg Born in Lima, Peru in 1975, Mariano Vivanco traveled the world with his family from an early age. He got his start in the fashion industry by shooting portraits of models and has become a leading editorial photographer. He currently lives in London. http://www.bangandstrike.com/bangtalk/wp-content/uploads/2016/01/Mariano-Vivanco1.jpg http://2.bp.blogspot.com/-UoCzuNsXkDI/T5LYPCcUsVI/AAAAAAAAKHI/0nAgbPJl8oA/s640/uomini-by-mariano-vivanco-118.jpg http://1.bp.blogspot.com/-4_KMCIy_9ps/T5LYMoLgI5I/AAAAAAAAKG4/ug9bu7lVugg/s640/uomini-by-mariano-vivanco-114.jpg http://www.bangandstrike.com/bangtalk/wp-content/uploads/2016/01/Mariano-Vivanco2.jpg http://ftape.com/media/wp-content/uploads/2016/08/mariano_vivanco_portraits_nudes_flowers-19.jpg http://ftape.com/media/wp-content/uploads/2016/08/Unknown.jpg http://ftape.com/media/wp-content/uploads/2016/08/mariano_vivanco_portraits_nudes_flowers-14.jpg http://ftape.com/media/wp-content/uploads/2016/08/mariano_vivanco_portraits_nudes_flowers-29.jpg http://2.bp.blogspot.com/-exCrSkWGF7k/UO3HF_6PTYI/AAAAAAAAREg/UBzynlAzvtQ/s1600/Marino+Vivanco+Nudes+%25283%2529.jpg

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André Kertész http://4.bp.blogspot.com/-dp5YGxG1cUU/TbHg-6R74PI/AAAAAAAAAv8/0WZxrsMXxTE/s640/Self-portrait-by-Andre-Kertesz.jpeg Born in Hungary, André Kertész (1894-1985) taught himself how to use a camera and had his first photos published while a member of the Austro-Hungarian army during World War I. As early as 1914, his distinctive style was already evident. Kertész emigrated to Paris in 1925 and to the United States a decade later. In Paris, he became acquainted with members of the Dada movement, one of whom dubbed him “Brother Seeing Eye,” an allusion to a medieval monastery where all the monks were blind except one. Kertész distinguished himself by the haunting composition of his photographs and by his early efforts in developing the photo essay. In his lifetime, however, his then-unorthodox camera angles kept his work from gaining wide recognition, and his use of symbolism became unfashionable. In the U.S, Kertész went to work for Condé Nast, but his photographic style did not mesh well with the straightforward fashion photography the American public (and magazines) expected. He continued to exhibit his individual work as best he could but his reputation slowly faded, and he became disillusioned. It was not until 1964, when John Szarkowski became the photography director at the Museum of Modern Art, that Kertész was given a solo show that re-launched his career and reputation. He caught the mood of the times and became an elder statesman of photography. By the mid-1970s, he was showing his work in galleries worldwide, and continued working very productively into old age. Images by André Kertész ... http://www.mrmagoosmilktruck.com/wp-content/uploads/2012/03/Andre_Kertesz_04.jpg http://theredlist.com/media/database/photography/history/street/andre-kertesz/041-andre-kertesz-theredlist.jpg http://www.atgetphotography.com/Images/Photos/AndreKertesz/kertesz_25.jpg http://monovisions.com/wp-content/uploads/2016/09/andre-kertesz-street-fine-art-05-1024x594.jpg http://2.bp.blogspot.com/-5_3UC13dTfA/TbHfWXvtPqI/AAAAAAAAAvw/h6QwliRsA_o/s1600/2dl4qgw.jpeg http://www.streethunters.net/wp-content/uploads/2014/08/andrez-kertez-masks.jpg Self-portrait, New York, 1977

André Kertész http://4.bp.blogspot.com/-dp5YGxG1cUU/TbHg-6R74PI/AAAAAAAAAv8/0WZxrsMXxTE/s640/Self-portrait-by-Andre-Kertesz.jpeg Born in Hungary, André Kertész (1894-1985) taught himself how to use a camera and had his first photos published while a member of the Austro-Hungarian army during World War I. As early as 1914, his distinctive style was already evident. Kertész emigrated to Paris in 1925 and to the United States a decade later. In Paris, he became acquainted with members of the Dada movement, one of whom dubbed him “Brother Seeing Eye,” an allusion to a medieval monastery where all the monks were blind except one. Kertész distinguished himself by the haunting composition of his photographs and by his early efforts in developing the photo essay. In his lifetime, however, his then-unorthodox camera angles kept his work from gaining wide recognition, and his use of symbolism became unfashionable. In the U.S, Kertész went to work for Condé Nast, but his photographic style did not mesh well with the straightforward fashion photography the American public (and magazines) expected. He continued to exhibit his individual work as best he could but his reputation slowly faded, and he became disillusioned. It was not until 1964, when John Szarkowski became the photography director at the Museum of Modern Art, that Kertész was given a solo show that re-launched his career and reputation. He caught the mood of the times and became an elder statesman of photography. By the mid-1970s, he was showing his work in galleries worldwide, and continued working very productively into old age. Images by André Kertész ... http://www.mrmagoosmilktruck.com/wp-content/uploads/2012/03/Andre_Kertesz_04.jpg http://theredlist.com/media/database/photography/history/street/andre-kertesz/041-andre-kertesz-theredlist.jpg http://www.atgetphotography.com/Images/Photos/AndreKertesz/kertesz_25.jpg http://monovisions.com/wp-content/uploads/2016/09/andre-kertesz-street-fine-art-05-1024x594.jpg http://2.bp.blogspot.com/-5_3UC13dTfA/TbHfWXvtPqI/AAAAAAAAAvw/h6QwliRsA_o/s1600/2dl4qgw.jpeg http://www.streethunters.net/wp-content/uploads/2014/08/andrez-kertez-masks.jpg Self-portrait, New York, 1977

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Minor White http://www.surpluscameragear.com/content/Minor-White-2012_0163_0010_P.png An American photographer, theoretician, critic and educator, Minor White (1908-1976) made thousands of black-and-white and color photographs of landscapes, people and abstract subject matter, created with both technical mastery and a strong visual sense of light and shadow. He was a co-founder and, for a time, editor/director of Aperture magazine. Aware of his latent homosexuality by the time he finished high school, White kept a personal journal in which he wrote poems, intimate thoughts about his life and his struggles with his sexuality, excerpts from letters that he wrote to others, occasional diary-like entries about his daily experiences, and, later on, extensive notes about his photography. In February 1946, White had the first of several meetings with photographer Alfred Stieglitz in New York. At one of their meetings, White expressed his doubt that he was ready to become a serious photographer. Stieglitz asked him, "Have you ever been in love?" White answered, "Yes," and Stieglitz replied, "Then you can photograph." Tom Murphy, San Francisco, 1947 Tom Murphy, San Francisco, 1947 Copper Creek, Oregon (Wallowa Mountains), 1941 Vicinity of Rochester, 1954 Tom Murphy, San Francisco, 1948, No. 30 from the series “The Temptation of St. Anthony Is Mirrors”