Moondance

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96 - by Serge Lee http://1.bp.blogspot.com/-KpakGntgvu0/VKwegQja36I/AAAAAAAB_PE/ylcc2TSvIz8/s1600/Polaroids-Homotography-Serge-Lee-01.jpg

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92 - by Paul Rowland 93 - by Paul Rowland 94 - by Paul Rowland

91 The Mary Moorman Polaroid of JFK's Assassination Mary Moorman (born 1932) was a witness to the assassination of John F. Kennedy. Her famous Polaroid photograph of the event captured the presidential limousine approximately one-sixth of a second after the fatal shot. Moorman was standing about two feet south of the south curb of Elm Street in Dealey Plaza, directly across from the grassy knoll and the North Pergola concrete structure that Abraham Zapruder was standing on. Moorman says she stepped onto the street to take her photo. Zapruder is seen standing on the pergola in the Moorman photograph, with the presidential limousine already having passed through the line of sight between Zapruder and Moorman. Moorman and her friend, Jean Hill, can be clearly seen in many frames of the Zapruder film. Between Zapruder film frames Z-315 and 316, Moorman took a Polaroid photograph, her fifth that day, showing the presidential limousine with the grassy knoll area in the background. In 2013, Moorman attempted to sell the original Polaroid; it was expected to sell at auction for between $50,000 and $75,000, but did not meet its reserve. She had previously attempted to sell the item at Sotheby's in New York, but the auction house deemed it "too sensitive to auction." What was captured in the background of the photo has been a matter of debate. On the grassy knoll, some claim to have identified as many as four different figures, while others dismiss these indistinct images as trees or shadows.

I believe the picture is called Divine at the Metropolitan Museum ... which is not to say that the picture of Divine at the Metropolitan Museum is at the Metropolitan Museum. (If that was how you took it.)

Men on Polaroids (images 84-90) is a series by Moscow-based fashion photographer Serge Lee ... 84 http://www.kaltblut-magazine.com/wp-content/uploads/2016/07/Polaroids-Homotography-Serge-Lee-02.jpg 85 http://www.kaltblut-magazine.com/wp-content/uploads/2016/07/Polaroids-Homotography-Serge-Lee-23.jpg 86 http://www.kaltblut-magazine.com/wp-content/uploads/2016/07/Polaroids-Homotography-Serge-Lee-21.jpg 87 http://www.kaltblut-magazine.com/wp-content/uploads/2016/07/Polaroids-Homotography-Serge-Lee-17.jpg 88 http://www.kaltblut-magazine.com/wp-content/uploads/2016/07/Polaroids-Homotography-Serge-Lee-14.jpg 89 http://www.kaltblut-magazine.com/wp-content/uploads/2016/07/Polaroids-Homotography-Serge-Lee-03.jpg 90 http://www.kaltblut-magazine.com/wp-content/uploads/2016/07/Polaroids-Homotography-Serge-Lee-04.jpg

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Peter Hujar http://68.media.tumblr.com/tumblr_m4hnzwHkXh1r8iel6o1_1280.jpg Self-portrait, 1969 Born in Trenton, New Jersey, abandoned by his parents as an infant and raised by his Ukrainian grandparents, Peter Hujar (1934-1987) did not learn English until kindergarten. He received his first camera in 1947, and expressed interest in being a photographer while attending the School of Industrial Art in New York City. Hujar was part of a group of artists, musicians, writers and performers at the forefront of the cultural scene in downtown New York in the 1970s and early ’80s, and was admired for an uncompromising attitude toward both his work and his life. Portraits in Life and Death (1976), with an introduction by Susan Sontag, was his first book, and the only one published during his lifetime. Peter Hujar died of AIDS in 1987. Images by Peter Hujar ... Divine at the Metropolitan Museum, 1976 Mural at the Piers, 1983 https://exhy1.files.wordpress.com/2015/03/11img.jpg Seated Nude (Bruce de Saint Croix ), 1976 http://theredlist.com/media/database/photography/history/celebrite-portrait/peter-hujar/008-peter-hujar-theredlist.jpg Christopher Street Pier #2 (Crossed Legs), 1976 http://flashbak.com/wp-content/uploads/2016/01/HUJ.017.4-EPH-0003-GSP2_Candy-Darling-on-Her-Deathbed-1973_HR.jpg Candy Darling on her Deathbed, 1973 http://theredlist.com/media/database/photography/history/celebrite-portrait/peter-hujar/060-peter-hujar-theredlist.jpg Susan Sontag, 1975 http://68.media.tumblr.com/b3faf0c085fea558f3c5e65a01e5e0a2/tumblr_oj40b5etor1sgafoqo1_1280.jpg Joseph Raffael at the Botanical Gardens, 1956 http://theredlist.com/media/database/photography/history/celebrite-portrait/peter-hujar/039-peter-hujar-theredlist.jpg Stephen Varble, Franklin Street, NYC, 1976 (Stephen Varble, 1946–1985, was a performance artist who walked the streets of SoHo in the 1970s in elaborate outfits concocted from fabrics, sticks, soda cans, paper and found objects.)

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Victor Skrebneski Self-portrait, 2012 Born in 1929, Victor Skrebneski is known for his fashion and advertising photography, sensuous nude studies and celebrity portraits. Skrebneski has worked on advertising campaigns for Estee Lauder, Chanel and Ralph Lauren, among many other clients. His iconic black-and-white poster images for the Chicago International Film Festival, often featuring nude models, have become highly collectible. In the 1940s, Skrebneski attended The School of The Art Institute of Chicago and the Institute of Design at the Illinois Institute of Technology. He opened his studio in Chicago in 1952. Images by Victor Skrebneski ... Orson Wells, 1970 (This was the first of Skrebneski's famous “black turtleneck sweater portraits.”) Bette Davis, 1971 http://3.bp.blogspot.com/-Varq3F-_qns/T2R9J739yyI/AAAAAAAAONA/GbPj0jxKVDQ/s1600/Steve%2BLyon.jpg Steve Lyon (model), late 1980s http://68.media.tumblr.com/0a61e52c6cc3121513416aa66b8b9dd8/tumblr_ojojinmkqI1rwuuvro1_1280.jpg Vanessa Redgrave, 1967 http://www.chicagonow.com/show-me-chicago/files/2014/09/FFposterdl.jpg Dolph Lungren (Chicago International Film Festival poster), 1987 Anna Nicole Smith (Chicago International Film Festival poster), 1992 http://media-cache-ec0.pinimg.com/originals/32/55/ee/3255eefe01d7db707725bc5a026c37bb.jpg Iman and David Bowie, 1991 http://studio67.by/wp-content/uploads/2013/11/20131106-lens-skrebneski-slide-6HU2-jumbo.jpg John Malkovich, 1996

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