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Everything posted by Moondance
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1135 a/b http://2.bp.blogspot.com/-sNbP_flh0Yk/T1PJjng6DvI/AAAAAAABzNE/JUk7IcFDOQs/s1600/aaaa.jpg http://1.bp.blogspot.com/-_eNwObuyoq4/T1PJjE2jBzI/AAAAAAABzM8/iUdqdYW-AP4/s1600/b.jpg
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He Wore His T-Shirt Well, and Even Better Wet
Moondance replied to Moondance's topic in Legacy Gallery
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668 http://www.homotrophy.com/wp-content/uploads/2018/09/pikante-underwear-2018-p1-1.jpg 669 http://www.thesword.com/wp-content/uploads/2011/12/AcyF2QlCEAEaA1-.jpg_large.jpg 670
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He Wore His T-Shirt Well, and Even Better Wet
Moondance replied to Moondance's topic in Legacy Gallery
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Wrap Those Thighs Around Me and Squeeze, Please
Moondance replied to Moondance's topic in Legacy Gallery
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Supposedly Burt Lancaster. Definitely uncut.
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Gjon Mili (1904-1984) was an Albanian-American photographer who came to the United States in 1923. In 1939, he started to work as a photographer for LIFE magazine, a position he held until he died. Over the years, his assignments took him to the Riviera (to photograph Picasso), France (Pablo Casals), Israel (Adolf Eichmann in captivity), Florence, Athens, Dublin, Berlin, Venice, Rome and Hollywood. He photographed celebrities and artists, sports events, concerts, sculpture and architecture. Trained as an engineer and self-taught in photography, Mili was a pioneer in the use of stroboscopic instruments to capture a sequence of actions in one photograph, and was one of the first to use an electronic flash and stroboscopic light to create photographs that had more than scientific interest. Many of his notable images reveal the beautiful intricacy and graceful flow of movement too rapid or complex for the naked eye to discern. In 1944, he directed the short film Jammin' the Blues, made at Warner Bros., which is considered a minor landmark in the way musicians have been filmed. Images by Gjon Mili ... http://1.bp.blogspot.com/-G1p_Y08i-fc/UafgIRcBW1I/AAAAAAAAQOA/8utKcTU0xl8/s1600/Dancer+actor+Gene+Kelly+in+multiple-exposure+dance+sequence+1944.jpg Gene Kelly in a multiple-exposure dance sequence, 1944 http://3.bp.blogspot.com/--kZjwrv32DA/Tk9y8Cb3ckI/AAAAAAAAAio/aKLb3zSPc_U/s1600/gjon-mili-pablo-picasso-light-paintings-flashlight-centaur.jpg Picasso draws a centaur in the air Gjon Mili's work with Picasso stemmed from his ground-breaking work with flash strobes and long exposures. A long exposure allows the film (or digital sensor) to record a scene for several seconds, minutes or hours at a time. Because the film is continually recording the scene before it, any noticeable movement creates blurs (or, in this case, light streaks). Mili and Picasso began creating their light drawings in 1949; Picasso draws a centaur in the air, shown above, was the most popular image in the series. Picasso drew in the air using a small flashlight attached to a power source. The drawings were done in a darkened room in order for the flashlight's light trails to be recorded. Mili would then flash his strobe, usually at the end of the light drawing, to capture the artist in the frame. Rope-skipping champion Gordon Hathaway in action Stroboscopic exposures of Alfred Hitchcock directing Shadow of a Doubt, Hollywood, 1942
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130 - Montgomery Clift 131
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Hugh Laing (1911-1988) was one of the most significant dramatic ballet dancers of the 20th-century. Although never considered a great technician, Laing was known for the intensity of his stage presence, his powers of characterization and an impeccable sense of theatrical timing. Born in Barbados, he moved to London in 1931 to study art, but soon became more interested in ballet. After taking classes with Marie Rambert, he joined her experimental Ballet Club in 1933 and there met dancer and choreographer Antony Tudor (1908-1987), who remained his companion and artistic collaborator. In 1938, Laing became a member of Tudor's London Ballet, a short-lived troupe for which he danced in Tudor's Gala Performance and Judgment of Paris. He accompanied Tudor to New York in 1939 to participate in the first season of Ballet Theater, as American Ballet Theatre was originally known. There Tudor choreographed several of the roles for which Laing became famous. His reputation as one of the significant dancers of his era was almost certainly enhanced by Tudor's choreographing to his strengths. Their longtime relationship (from 1938 until Tudor's death in 1987) was briefly interrupted when Laing married the American ballerina Diana Adams in 1947. They divorced in 1953. Laing is on the right (age 29) in these two 1940 photographs with Antony Tudor taken by Carl Van Vechten: http://1.bp.blogspot.com/-j3QgyWC0r7Y/TzeWjUm-xLI/AAAAAAAAO7g/e7MFs2VVI6A/s1600/VanVechten-Tudor-Laing.jpg Here in another 1940 image by Van Vechten: And here in LIFE magazine in 1944 (age 33): http://3.bp.blogspot.com/-iCIihgvJmfs/UaARnaPVMhI/AAAAAAAAQKQ/tIPET6GJ6Dw/s1600/Ballet+dancer+Hugh+Laing+executing+a+leap+w.+legs+split.jpg
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211 212 213 http://1.bp.blogspot.com/-sZZpBXttXpA/Vn4Kb2FWqEI/AAAAAAADA84/AF6AnVG8oYI/s1600/a.jpg
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Wrap Those Thighs Around Me and Squeeze, Please
Moondance replied to Moondance's topic in Legacy Gallery
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Armpit appreciation thread, dedicated to Pitman
Moondance replied to marylander1940's topic in Legacy Gallery
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71 72 https://collegenerdtojock.tumblr.com/image/161334504963 73 http://images.3xmuscles.xyz/25/20756/98d1306e80f89a610c6b44dbe3c6035d/11.jpg
Contact Info:
The Company of Men
C/O RadioRob Enterprises
3296 N Federal Hwy #11104
Ft. Lauderdale, FL 33306
Email: [email protected]
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