bigvalboy

Ahhh Mike Henry. I was in love....Those were the days.

That's Hot!!!....

Zooming to 300% and using a magnifying glass, I get FLICK security. Which is why I think it looks like FUCK, because the LI together kinda looks like it forms a U...

I just had a large bee hive removed from the casa. It wasn't cheap, but I didn't want to destroy it. Over the course of several days while we waited for the bee keeper to come, they would swarm occasionally, and it was unnerving, but it was still worth the wait. I think people are beginning to realize how rapidly the bee population is declining. Very sad...

He's a trusted member here... https://www.companyofmen.org/members/victorpowers.15700/ But, the line forms at the end of the block...wait your turn.

He's muscled up nicely...

:p

I look fabulous in the dark... so yeah, lights out or maybe one candle.

Well there you go. There's something for everyone... though I missed the expertise part. Maybe it was when she was sliding the M5 sideways around every turn and smoking the tires, since we all know that's the fastest way around a track...

Pure joy... I've owned/driven my share, but the streets and canyons of LA were not conducive to the kind of fun you could see on Top Gear, though it wasn't for lack of trying. Working Latigo canyon to PCH was amazing, but it had it's limitations, so many of us lived vicariously through the Top Gear crew.

Top Gear was never designed for consumers, it was designed for guys like me who could sit all day and watch Clarkson push a car to it's limit around a track, and enjoy the antics of Clarkson, Hammond and May play off each other. It never pretended to be anything else. It was designed to entertain. The show wasn't perfect, but it sure was fun to watch...

I don't know which one is Otis. The truck, the dog, or the guy, but either way, I'd be all in...

Yes it was a wonderful film, but for me it was too painful to watch. The final scene really affected me... https://www.youtube.com/watch?v=06dTTRNySIY Scene inside trailer: (ENNIS puts his hat back on a hanger on the wall, shuffling across the floor. He notices ALMA JR.'s sweater on the bed, picks it up, folds it. He pulls open the door of a closet and puts the sweater on a shelf. The two shirts are on a hanger held by a nail on the inside of the door, now reversed from how JACK left them -- ENNIS's shirt is on the outside, JACK's on the inside. A postcard of Brokeback Mountain is tacked up just above the shirts, and it's tilted to one side. JACK snaps a button on JACK's shirt, touching it carefully. He straightens the postcard with a finger. He looks at both with tears in his eyes.) ENNIS Jack, I swear. (ENNIS swings the door shut and moves offscreen to the left. We can see out the trailer's window: a road outside cuts across the bottom of the window, with a green field behind it, a yellow field further out, and then a flat horizon, no mountain visible.) Fade out.

I'm not sure why, but I think that's hot....

Droughts might be the new normal...

That's it? That's where you're stopping the story?

So why should they have black models, just because they are in SA. That's not the product they are selling. I don't go to Bel Ami to see men of color. My comment was directed at those that felt because they were filming in South Africa, not having black models was somehow tone deaf or insensitive, or had overtones of segregation. I disagree...That's all

Let's not forget about Uncle Ben...

Has Bel Ami ever had black models in their films?

LOL...yes the Stig and his imaginary cousins, loved it, and I do think that May's perceived slowness was more a story line than reality. Once pushing a Veyron to it's limit at Ehra-Lessien. Certainly not for the faint of heart. Apologies to the OP for the hijack, but this was fun...

Yowza...Now this is a thread! http://3.bp.blogspot.com/-mFVx1cUA4Xc/WCiQ34-VSII/AAAAAAADPlg/Vzyxk_920Coojsq1C6APekxCdCfn7EWlwCK4B/s1600/36039_4.jpg

Group A: blond boy with the #2 on his shorts Group B: The big boy on the left with the white tights