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Call Me By Your Name


LoveNDino
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Call Me By Your Name is an award winning book, which I recommend reading before seeing the movie, just because it is so good. Not necessary of course.

 

I'm so excited to see the movie, and wish we didn't have to wait until November in the States. It is showing at TIFF for anyone able to go. The remarkable Sufjan Stevens wrote and arranged new songs for the Call Me by Your Name, as well as composing the score. I think he is a genius. Whoever sought him to work on this film is awesome!

 

Sufjan did a new arrangement of Futile Devices for the movie. Haven't heard it. Can't wait.

 

Yes, I agree. The book is wonderful. I read it and it gave me all kinds of feels...

As for the genius who hired Mr. Stevens? I would assume it was Luca Guadagnino? I have not seen any of his previous films, but I remember a well-regarded "I Am Love," starring the great Tilda Swinton. That, I want to see as well...

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Yes, I agree. The book is wonderful. I read it and it gave me all kinds of feels...

As for the genius who hired Mr. Stevens? I would assume it was Luca Guadagnino? I have not seen any of his previous films, but I remember a well-regarded "I Am Love," starring the great Tilda Swinton. That, I want to see as well...

 

******************SPOILER ALERT*****************

 

 

 

******************SPOILER ALERT*****************

People love to talk about the peach (who can blame them) but I never hear anyone admit what huge symbol it was, what Oliver was representing to Elio by doing that. Anyway, I'll probably read the book again before November.

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******************SPOILER ALERT*****************

 

 

Click to expand...

******************SPOILER ALERT*****************

People love to talk about the peach (who can blame them) but I never hear anyone admit what huge symbol it was, what Oliver was representing to Elio by doing that. Anyway, I'll probably read the book again before November.

Anyone who has used Grindr (or emojis) can tell you what the peach symbolizes;)

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In the book, his character is a precocious 17-year old.

 

Age is a very significant issue for people like me who post photos in the Gallery on this site. It is even more important for people who post and volunteer to monitor a forum. So the age of an actor (not the character) is crucial.

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Why Sundance Fell in Love With the Gay Romance Call Me by Your Name

Kyle Buchanan January 23, 2017 4:10 pm

23-call-me-by-your-name.w710.h473.jpg

Photo: Sundance Institute

An hour after the sensational Call Me by Your Name unspooled for the first time at the Sundance Film Festival, director Luca Guadagnino and his stars Armie Hammer and Timothée Chalamet gathered in a cramped little room for a post-premiere ritual: the reading of the tweets.

 

“Standing ovation at Sundance for Call Me by Your Name,” Guadagnino recited in his thick Italian accent, “which is beautiful visually, emotionally, and, my god, sexually.”

 

Guadagnino continued scrolling through his smart phone and read another: “I’m on a cinematic high from Call Me by Your Namestill. Dancing around the streets, can’t stop thinking about it. This film. THIS FILM.”

 

Hammer, whose right arm is in a sling thanks to a torn pectoral muscle, used his other arm to give Chalamet an appreciative slap on the back. He was beaming, and a little confused. “Isn’t the internet supposed to be mean?” Hammer said.

 

Not this time. Several of this year’s Sundance movies have scored — the Kumail Nanjiani comedy The Big Sick merited an eye-popping, well-deserved sale, while critics were buzzing about Casey Affleck and Rooney Mara in the languorous drama A Ghost Story — but it’s Call Me by Your Name that feels like a landmark. Adapted from the novel by André Aciman, it stars Chalamet as the 17-year-old Elio, who’s spending a lazy summer in the Italian countryside with his parents. Excitement arrives in the form of Hammer’s tall, tanned Oliver, an American research assistant who’s come to the country to work with Elio’s professor father (Michael Stuhlbarg). At first, Elio regards the newcomer warily. Though he comes up with all sorts of reasons to spend time with Oliver, Elio also condescends to him: The child of two brainy academics, Elio mocks Oliver’s American slang and pulls away, as if burned, from Oliver’s friendly touch. But if Elio sometimes treats Oliver like an irritant, it’s only because the older man has gotten under his skin.

 

Their verbal jousting starts to carry an erotic charge, and the summer gets its spine as Elio and Oliver circle one another, each daring the other to make the first move. Once they’ve finally consummated their flirtation — with a first kiss that is as playful as it is sexy — it’s impossible to part them, though the looming end of Oliver’s stay in Italy will curtail their relationship just as it’s beginning. “We wasted so many days,” a regretful Elio says, wrapped up in Oliver’s arms. This is his first love, and while their affair may be brief, what it stirs in Elio’s heart and mind will be there forever.

 

Though many thought the success of 2005’s Brokeback Mountain would pave the way for more top-tier films about same-sex love, it’s only recently, with movies like Carol and Moonlight, that Brokeback’s accomplishment appears to have borne fruit. Call Me by Your Name is every bit as marvelous as those films, and it’s directed with striking confidence by Guadagnino, whose previous movies, A Bigger Splash and I Am Love, were delightful in their bratty brashness. This film is more tempered but every bit as intimate, especially when Hammer and Chalamet shed their clothes, their bodies becoming billboards for desire. “I truly tried to diminish the sense of sacredness that happens when you film naked actors and actresses,” Guadagnino told me last night. “I don’t like that prudishness.”

 

It wouldn’t have worked if his leads had refused to give their all. After a string of would-be franchise-starters like The Lone Ranger and The Man From U.N.C.L.E., Hammer turns in his best work since his breakout dual role as the Winklevoss twins in The Social Network, and he said he relished the opportunity Call Me by Your Name gave him. “This movie will forever stay with me,” Hammer told me. “We moved for several months to a tiny town in Italy where no one spoke English, giving up everything about our normal lives back home and committing to this. Going to those places … it was just an amazing experience, all around.”

 

Hammer’s strongest praise, though, was reserved for his young co-star. “Timothée is the best thing in this movie,” said Hammer, “and he deserves every single accolade he’s going to get for it.” Best known for a Homeland arc as Dana Brody’s boyfriend, the 21-year-old Chalamet is a major revelation here. So whippet-thin that he appears to have hit a growth spurt overnight, Chalamet delivers an impressively physical performance, testing not just his sexuality but his gangly arms and legs. He dances in and out of frame, lunges for his lover, and thrashes around in bed, suggesting that as he enters adulthood, Elio leads with his body and lets his brain catch up.

 

It all culminates in a remarkable whopper of a final shot that simply films Chalamet in close-up for several minutes as he processes the impact of his affair, tears in his eyes and a smile playing on his lips. It’s the movie in miniature, and if Guadagnino hadn’t already called a film I Am Love, he could use those three words to describe what Chalamet does in that scene. His heart is broken, but his spirit is soaring. Love can do that, and falling in love with a movie can do that, too.

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Why Sundance Fell in Love With the Gay Romance Call Me by Your Name

Kyle Buchanan January 23, 2017 4:10 pm

23-call-me-by-your-name.w710.h473.jpg

Photo: Sundance Institute

An hour after the sensational Call Me by Your Name unspooled for the first time at the Sundance Film Festival, director Luca Guadagnino and his stars Armie Hammer and Timothée Chalamet gathered in a cramped little room for a post-premiere ritual: the reading of the tweets.

 

“Standing ovation at Sundance for Call Me by Your Name,” Guadagnino recited in his thick Italian accent, “which is beautiful visually, emotionally, and, my god, sexually.”

 

Guadagnino continued scrolling through his smart phone and read another: “I’m on a cinematic high from Call Me by Your Namestill. Dancing around the streets, can’t stop thinking about it. This film. THIS FILM.”

 

Hammer, whose right arm is in a sling thanks to a torn pectoral muscle, used his other arm to give Chalamet an appreciative slap on the back. He was beaming, and a little confused. “Isn’t the internet supposed to be mean?” Hammer said.

 

Not this time. Several of this year’s Sundance movies have scored — the Kumail Nanjiani comedy The Big Sick merited an eye-popping, well-deserved sale, while critics were buzzing about Casey Affleck and Rooney Mara in the languorous drama A Ghost Story — but it’s Call Me by Your Name that feels like a landmark. Adapted from the novel by André Aciman, it stars Chalamet as the 17-year-old Elio, who’s spending a lazy summer in the Italian countryside with his parents. Excitement arrives in the form of Hammer’s tall, tanned Oliver, an American research assistant who’s come to the country to work with Elio’s professor father (Michael Stuhlbarg). At first, Elio regards the newcomer warily. Though he comes up with all sorts of reasons to spend time with Oliver, Elio also condescends to him: The child of two brainy academics, Elio mocks Oliver’s American slang and pulls away, as if burned, from Oliver’s friendly touch. But if Elio sometimes treats Oliver like an irritant, it’s only because the older man has gotten under his skin.

 

Their verbal jousting starts to carry an erotic charge, and the summer gets its spine as Elio and Oliver circle one another, each daring the other to make the first move. Once they’ve finally consummated their flirtation — with a first kiss that is as playful as it is sexy — it’s impossible to part them, though the looming end of Oliver’s stay in Italy will curtail their relationship just as it’s beginning. “We wasted so many days,” a regretful Elio says, wrapped up in Oliver’s arms. This is his first love, and while their affair may be brief, what it stirs in Elio’s heart and mind will be there forever.

 

Though many thought the success of 2005’s Brokeback Mountain would pave the way for more top-tier films about same-sex love, it’s only recently, with movies like Carol and Moonlight, that Brokeback’s accomplishment appears to have borne fruit. Call Me by Your Name is every bit as marvelous as those films, and it’s directed with striking confidence by Guadagnino, whose previous movies, A Bigger Splash and I Am Love, were delightful in their bratty brashness. This film is more tempered but every bit as intimate, especially when Hammer and Chalamet shed their clothes, their bodies becoming billboards for desire. “I truly tried to diminish the sense of sacredness that happens when you film naked actors and actresses,” Guadagnino told me last night. “I don’t like that prudishness.”

 

It wouldn’t have worked if his leads had refused to give their all. After a string of would-be franchise-starters like The Lone Ranger and The Man From U.N.C.L.E., Hammer turns in his best work since his breakout dual role as the Winklevoss twins in The Social Network, and he said he relished the opportunity Call Me by Your Name gave him. “This movie will forever stay with me,” Hammer told me. “We moved for several months to a tiny town in Italy where no one spoke English, giving up everything about our normal lives back home and committing to this. Going to those places … it was just an amazing experience, all around.”

 

Hammer’s strongest praise, though, was reserved for his young co-star. “Timothée is the best thing in this movie,” said Hammer, “and he deserves every single accolade he’s going to get for it.” Best known for a Homeland arc as Dana Brody’s boyfriend, the 21-year-old Chalamet is a major revelation here. So whippet-thin that he appears to have hit a growth spurt overnight, Chalamet delivers an impressively physical performance, testing not just his sexuality but his gangly arms and legs. He dances in and out of frame, lunges for his lover, and thrashes around in bed, suggesting that as he enters adulthood, Elio leads with his body and lets his brain catch up.

 

It all culminates in a remarkable whopper of a final shot that simply films Chalamet in close-up for several minutes as he processes the impact of his affair, tears in his eyes and a smile playing on his lips. It’s the movie in miniature, and if Guadagnino hadn’t already called a film I Am Love, he could use those three words to describe what Chalamet does in that scene. His heart is broken, but his spirit is soaring. Love can do that, and falling in love with a movie can do that, too.

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So glad for this post. I never heard about the book which I'm reading right now. Very, very good. I look forward to the movie. Last night I watched the film I Am Love with the always excellent Tilda Swindon on Netflix by the same director. A really unusual and interesting film. Thanks for letting me know about this also.

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So glad for this post. I never heard about the book which I'm reading right now. Very, very good. I look forward to the movie. Last night I watched the film I Am Love with the always excellent Tilda Swindon on Netflix by the same director. A really unusual and interesting film. Thanks for letting me know about this also.

 

I understand Aciman loved the written screenplay. Aciman is remarkable. I read Enigma Variations afterwards, and just picked up his Harvard Square. Supposed to be his best yet.

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I recently came across a preview of this and then watched some vids movie reviewers talking about it. I can not wait to see it. Apparently the director is amazing and it sparked in interest in me to watch his other films. I'll need to read the book too. Didn't know there was one until this post!! Thanks all! :)

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  • 5 weeks later...
This one is at the top of my 'can't wait to see' list!! It is interesting to see how eloquently Armie can speak.

Agree 100%. And you have heard how he clapped back at Mr. James Wood, haven't you?

 

http://www.vulture.com/2017/09/armie-hammer-calls-out-james-woods-on-creepy-sexual-history.html

Edited by LoveNDino
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