Moondance

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Karlheinz Weinberger http://d4f1ndlb0hkjb.cloudfront.net/wp-content/uploads/2011/03/karlheinzweinberger.jpg For most of his adult life, Karlheinz Weinberger (1921-2006) worked in the warehouse department of the Siemens-Albis factory in Zurich. In his free time, he immersed himself in photography. Self-taught, he began by taking pictures for the gay underground club, Der Kreis. In 1958, Weinberger met members of a small band of teenagers and began photographing them at his home, and in public parks and fairgrounds where they gathered. In post-war Switzerland, these self-styled “rebels” (referred to by the Swiss as “Halbstark” or “half strong”) were working class youths dissatisfied with the conservative climate of the day. They adopted a gang identity expressed in self-styled homemade clothing – embellished jeans, motorcycle jackets, big belt buckles – strongly influenced by American culture. Weinberger inhabited the role of an intimate stranger, capturing the unfiltered attitude of a generation while processing and developing the objects of his gaze in his home photo laboratory. For decades, his photographs were only accessible to a relatively small group of people. In 2011, the Swiss Institute of Contemporary Art in New York presented the first institutional exhibition of vintage prints by Weinberger, calling him "an unsung pioneer of vernacular photography." Images by Karlheinz Weinberger ... http://68.media.tumblr.com/0d1306babb721c72e4f41799a659156f/tumblr_oj6wtl7svW1qfdnxao1_1280.jpg http://www.cvltnation.com/wp-content/uploads/2015/12/karlheinz-weinberger-rebel-youth-photo-shoot-700x700.jpg http://www.catch-fire.com/wp-content/uploads/2011/07/P6095114.jpg http://www.cvltnation.com/wp-content/uploads/2015/12/karlheinz-weinberger-rebel-youth-1950s-rockabilly-rockers.jpg http://en.museeniepce.com/var/ezflow_site/storage/images/exposition/exposition-passee/karlheinz-weinberger/karlheinz-weinberger-bloc-image-4/8010-2-fre-FR/Karlheinz-Weinberger-bloc-image-4.jpg

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117 http://4.bp.blogspot.com/_YZBdNVYAIj0/S-V_o6sNrqI/AAAAAAAABAI/9og7LITevbo/s1600/1990s-!BsqTgJQCWk~%24(KGrHqIOKiYEu,Ej)!)7BL4)0w,M2w~~_3.jpg 118 http://68.media.tumblr.com/4b2ef0e82b30a365226ef8bffc20bd59/tumblr_omzob5szSK1qfdnxao2_1280.jpg 119 http://www.malemodelscene.net/wp-content/uploads/2013/03/RyanDaharsh01.jpg 120 http://68.media.tumblr.com/751dfb99987bfc5498befd05b80b3940/tumblr_oo3gn20Dbx1qfdnxao1_540.jpg 121 http://25.media.tumblr.com/tumblr_m18mmniAuU1r5nqawo1_1280.jpg

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114 - by Andy Warhol, two Polaroids of male model, ca. 1977 http://i.huffpost.com/gadgets/slideshows/351691/slide_351691_3799695_free.jpg 115 - by Andy Warhol, two Polaroids of male model, ca. 1977 http://i.huffpost.com/gadgets/slideshows/351691/slide_351691_3799692_free.jpg 116 - by Andy Warhol - four Polaroids - Bodybuilder (Keith Peterson), 1983 http://i.huffpost.com/gadgets/slideshows/351691/slide_351691_3799698_free.jpg

111 - by Jeremy Kost http://i.huffpost.com/gadgets/slideshows/375314/slide_375314_4385648_free.jpg 112 - by Jeremy Kost http://i.huffpost.com/gadgets/slideshows/375314/slide_375314_4385664_free.jpg 113 - by Jeremy Kost http://i.huffpost.com/gadgets/slideshows/375314/slide_375314_4385662_free.jpg

Amen to that. To me, it's foolish to think you can "read" a relationship on the basis of a single letter -- or, beyond that, ever fully understand anyone else's relationship. And I think that's especially true with Earhart, a woman who lived outside the conventions of her time. And as to the notion that she must have felt "pressured to marry," she'd been engaged before and ultimately broke it off. If she managed not too feel "pressured to marry" as a younger woman, why would she have felt "pressured" as a mature, accomplished, financially independent one? Amen again. Perhaps Earhart's letter strikes you as ill-timed only because we don't know how often, or how thoroughly, its concerns had been discussed before. Maybe Earhart simply felt a need to commit what they both already knew to writing (she suggests as much in the letter). It's just as possible to interpret the letter as generous. It expresses concern for her work, but also for his, for her happiness, but also for his. Couldn't we consider this laudable when we reflect on how inequitable marriages of the time often were, how bound by expected stereotypes? Maybe -- just maybe -- the only new detail in the letter is the one-year "escape clause." But it is another example of Earhart's even-handedness, allowing herself an "out," but also expressing, in advance, her readiness to understand if Putnam should want to opt out. My own guess would be that Putnam knew, understood and loved Amelia enough, that he was unbothered, and even unsurprised, by her note.

Ohhhhh ... so that's what a lesbian sounds like! And you're sure you're not falling back on some old-fangled thinking there? Because that tired speculation about Earhart being a lesbian has been around forever -- and the sum total of what it's based on seems to be short hair, pants, a "manly" career and aspirations other than marriage and family.

Steve Schapiro Schapiro holding his 1964 photograph of Samuel Beckett Steve Schapiro (born 1934, in New York) has captured key moments in modern American history with images that reflect his own social awareness. After discovering photography at an early age, Schapiro decided to devote himself to photojournalism. One of his role models was the French photographer Henri Cartier-Bresson. W. Eugene Smith, an influential photographer during the Second World War, taught Schapiro the technical skills of his craft and how to develop his own views of the world and of photography. In 1961, Schapiro began working as a freelance photographer, and his images were soon appearing in leading publications. The political, cultural and social changes of the 1960s in the United States were an inspiration for Schapiro. He accompanied Robert Kennedy during his presidential campaign, captured key moments of the Civil Rights Movement and became an activist in his own right. Later, in the 1970s, he focused more on film set photography (notably, on The Godfather and Taxi Driver). Images by Steve Schapiro ... http://assets.loeildelaphotographie.com/uploads/article_photo/image/28536/Yves_Montand_on_Fifth_Avenue.jpg Yves Montand on Fifth Avenue, NYC, 1961 Three Men, New York, 1961 Selma Marchers in the Rain, 1965 http://www.inspirewetrust.com/wp-content/uploads/2015/11/Steve-Schapiro-11.jpg Vote, 1965 http://theredlist.com/media/database/photography/history/celebrite-portrait/steve-schapiro/018_steve-schapiro_theredlist.png Truman Capote in a Motel Room, Humboldt, Kansas, 1967 http://cruvi.cl/blog/wp-content/uploads/2011/09/Steve-Schapiro10.jpg Robert Kennedy, 1968 http://68.media.tumblr.com/bc30d9132ff3e04d05e5766442f6a7b5/tumblr_ml1uy7m68z1rovfcgo7_1280.jpg DeNiro, on the set of Taxi Driver

I thought this had all been settled, and that everyone knew that Earhart's Lockheed Electra was specially designed for time travel, and that Earhart and Noonan died when they crashed ... in Roswell, New Mexico, 10 years after they disappeared over the Pacific. No?

107 108 http://68.media.tumblr.com/tumblr_lcvmsgQLcr1qdoso9o1_500.jpg 109 110 a/b - by Bryant Eslava

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