

Chicago Tribune
CHICAGO — The reason Lauren Weisberger’s satirical memoir “The Devil Wears Prada” became famous was not just because of the juicy schadenfreude-y movie with Meryl Streep and Anne Hathaway. It’s because Weisberger was self-aware enough to see that the thirst for power included herself. On the one hand, she took out her knives and dissected the terrifying tastemaker Miranda, a stand-in for Anna Wintour, a bourgeois feminist survivor with veiled vulnerability. On the other, she knew that the very act of writing the memoir meant that her alter-ego Andy was no different from Miranda, even though sh…
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